The journal aims to be a space for cutting edge research and for an intelligent discussion among those that are interested in film, film history and film theory.
Each edition of Frames seeks to bring together original scholarship from a range of disciplines that not only benefits the field of film studies but also encourages an on-going discourse among academics from around the world. Contributors are offered the opportunity to publish their work in a twice annual journal and with each issue a carefully-selected topic will be under discussion, accompanied by book reviews. Frames holds a commitment to interrogating and challenging the boundaries of the discipline, and the editors will be accommodating work that critically reassesses and creatively enacts what it means to study moving images today.
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